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Candyman starts out pedestrian enough. Helen Lyle (Virginia Madsen) is a graduate student attempting to wow her instructor while dealing with her cheating professor husband. Helen chooses the local urban record Candyman to blow her teacher away. Being the detailed and dedicated researcher, she investigates the region where most of Candyman’s victims are found; the Cabrini Green housing project. Helen and her fellow student interview residents of the rundown apartment complex, recognize an abandoned apartment that has been transformed into a shrine to the title character, and compose an novel bond with a young, struggling mother (Vanessa Williams) .
All proceeds as one would question until a murderer using the Candyman anecdote as a conceal is caught by the police. Helen comforts a boy by telling him that the Candyman is not the boogeyman, fair a abominable man trying to horror and cause damage. This is the turning point of the movie.
By destroying the boy’s idea in Candyman, Helen invites the entity who describes his station as “to be but not to exist”. Candyman is because others bear in him. Helen has destroyed this so he must now revive his myth and resuscitate opinion in him. Helen encounters him in a parking garage where he commands her to “be my victim”. The next thing she knows, she is lying in the young mother’s apartment next to her uninteresting dog with a bloody knife in her hand.
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From this point Helen descends into madness with murders and a kidnapping surrounding her while her husband’s cheating ways are revealed. Eventually Candyman asks Helen to join her in the non-existence of sage. To build a child, Helen agrees and sacrifices her life so the child might live. The worst thing about the movie is a rather cheesy ending that confirms Helen’s entry into Urban Legend-hood.
Candyman is a well written thriller. It’s overabundance of gore overshadows the existential elements. All the actors make their parts with aplomb. Virginia Madsen is more than believable as a woman on the edge of a breakdown, while Tony Todd was born to play the Candyman. His astronomical and imposing stature combined with a deep and creepy pronounce can be truly unnerving at times. Forgive the ending and you have a large anxiety film.
Clive Barker’s Candyman was one of the finest panic films I have ever seen and one of my personal favorites. Writer-director Bernard Rose does an first-rate job of adapting a Barker chronicle into a masterpiece film that not only provides chills and scares, but also many issues of racism and vengeance.
The movie begins with a student telling Helen Lyle, played by the aesthetic and extremely talented Virginia Madsen, an urban fable about Candyman. You have to say his name five times in the mirror and he’ll appear and split you from the groin up. Helen is writing a thesis on urban legends and is particularly alive to in Candyman because of how so many people occupy in it. She and her friend, Bernadette, choose to go investigate an apartment complex that was the residence of murders that Candyman could be responsible for. That’s when a series of murders commence to occur and Helen must try to figure out what’s actually going on.
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Candyman is a rare movie in the nineties that mixes style with ideas. One of the film’s most disturbing scenes is when Virginia Madsen is drenched in blood, and is forced to strip her clothes off in front of a police officer. Subtle scenes like that are harder to assume than senseless bloody murders in slasher flicks. The acting in this film is also very grand. Madsen’s performance is one of the best I’ve ever seen in a terror film, easily rivaling Ellen Burstyn from The Exorcist. She begins the film as a non-believer, but is converted when she becomes the target of Candyman. By the final third of the film she must determine whether Candyman is right or if she is going insane. Madsen is convincing through all these changes, and she certainly deserves more roles in films these days. Tony Todd also delivers a splendid performance as Candyman. Add to the film broad writing, directing, and soundtrack and you’ve got an instant classic. The film provides many questions. Where did Candyman near from? Is he actually proper? Candyman’s ending is nothing short of unpredictable and surprising.
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